In this article we are gonna explain the difference between queue and export in Adobe Premiere Pro to understand adobe media encoder 2020. So let’s say we got our sample project open and for some reason you have a workflow where you’re not just exporting everything straight through. You want to export different bits and pieces or sequences as their own video clips.
If you need to select multiple sections from the same sequence in adobe ame like in this example you can go through and press I to create an end point and O to create an out point around those sections. you would go to file export media, normally when you’re just exporting a video and you hit export it’ll just start encoding and rendering out in whatever settings that you’ve chosen.
You got to wait here and the final video will be wherever you set it to be like your desktop. But let’s say like a case like this you wanted to export like a dozen different things in a row and you didn’t want to just sit here while you’re waiting in between each. Because you can’t do anything while it’s exporting and you want it to just line them up and do them all in a batch in adobe ame.
That’s where queue comes in handy in adobe media encoder 2020, I can just add this in and out sequence and all these settings to a queue and then it’ll open up a program called Adobe Media encoder and you can see everything that you’ve added to the queue so far. Then once you’re ready just press play and it’ll just rip through them and you can go to sleep go grab lunch or whatever and you don’t have to wait in between each export to press export settings again and do it all so this is a way to batch them.
In another very useful thing about adobe media encoder 2020 is you can quickly adjust settings but keep all the same in and out points and little sections and sequences without having to redo them over and over. You could always just batch different versions and resolutions in adobe ame if you need to deliver a file in multiple ways by even duplicating items in your queue and doing one version in one resolution and one in the other. You can also buy adobe media encoder.
You can quickly adjust the name and the type and everything like that and when things are exporting in adobe media encoder you can still go back to premiere and be working and doing things in other sequences. So those are some of the benefits and workflows of exporting with queue in adobe ame, now nine times out of ten I’m normally just pressing export because I’m just exporting one sequence but there are those occasions where you need to do multiple things. It’s good to know what queue is and when you can use it in your workflows.
How to use adobe media encoder cc
We will be showing you how to use Adobe Media encoder 2020. Adobe Media encoder 2020 isn’t exactly a creative piece of software from Adobe but it is really important when you’re working with video. Because the encoding of a video is very important to different aspects of video editing some encoding work better than others when you’re streaming. You can download adobe media encoder from here.
For example some are more optimized towards HD streaming like the h.264 there’s also some downloadable encoding that you can get and so you’ve got to kind of understand how to convert some footage to a different type of encoding. Adobe Media encoder 2020 is great for that there aren’t a lot of programs out there that can actually basically take one encoding and convert it to every other encoding in the book.
Why to use adobe media encoder 2020?
That’s why adobe media encoder 2020 is really important it’s great for doing things like taking 4k footage and bringing it down to 1080p so that you can edit it and then proxy the footage to the original footage. adobe ame great for changing it up so if you’re posting on YouTube or something and you want it to be in a stream able format so that it’s quickly able to work with YouTube, it’ll process quicker and YouTube won’t have to convert it for you. Which means you get more control over it before they convert it.
So yeah there’s a lot of different reasons to use Adobe Media encoder 2020 and it’s just a great tool to know when you’re working with the Adobe suite so the first thing you need to do is you need to find some footage that you want changed basically. Find a footage that you would like transferred to a different type of footage. For example I grab a footage and drag it into adobe mediate encoder you can also go into file and then you can go down to add source and there’s a bunch of different places where you can just go through your thing and find the footage that you want in adobe ame.
Once it’s in Adobe Media encoder 2020 on the bottom here it’s gonna look a lot like the after effects render queue and the the premiere pro render queue and that’s just because it’s basically the same thing. Adobe wouldn’t have written 14 different programs to render out in each one of them they all basically contact the adobe ame and Adobe Media encoder 2020 just brings it all together. Beneath your footage you’re gonna have what format you want it to be brought out in, so if you hit the drop-down menu you have a bunch of different options of where you want to transfer it to right now. I transferred into h.264.
What are presets in adobe media encoder 2020?
The next setting in adobe flash media live encoder is the preset so there are a ton of presets of what you might be aiming to broadcast this out in. solely if we switch the thing to an h.264 and I was going to YouTube I might use the YouTube preset and that is just going to change everything up in here. If you look, it looks exactly like the premiere pro encoder and like I said it’s because it is Premiere Pro is just talking to media encoder when it does it stuff and that’s why when you hit queue.
There’s a queue button in a media in Premiere Pro and in After Effects the queue just sends it to adobe media encoder 2020 and you can actually put a bunch of stuff in the queue and have it all render at one specific time so when you set a preset, adobe ame just gonna go through and it’s gonna set all of these different little settings for you.
Making sure that they’re all optimized for whatever the preset is. YouTube has certain specifications and it has certain things that if they aren’t in accordance with the stuff that YouTube wants to do that it’s going to process and change it. That means you could lose quality it might compress it in a way that you don’t want it to be compressed and stuff like that.
If you do it here you have more control over that stuff. Then the last one is the output folder just choose a folder on your desktop so that it’ll be saved, just like any other thing of where you’re saving it. Click on that you can change it up and then the last step really is just to click the play button and Adobe will start its rendering.
Adobe media encoder 2020 rendering
If you have multiple ones it’ll go through one that’ll just switch up to the next one and it’ll keep going until all targets have been rendered out. On the left side you have the Media Browser and this is so you don’t have to open up like the third-party Windows Media Browser. Just go through open up a file in here and have them all accessible so you can drag. you can highlight everything and just drag it over for a mass conversion so great thing over here a little almost a bridge.
Look for media to convert and then below you have your preset browser like I said there are downloadable presets that are downloadable formats and codecs so you can download them. If you want to add one you just can create your own encoding preset or ingest preset and save it. Later on you can just click that preset every time instead of having to go through and change slight settings around.
Adobe Media encoder 2020 is a really simple program I’m a little intimidating at first if you don’t really know what’s going on but it’s really simple to use.